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The Camera as an Eye: Unlike "straight" photography that captures found reality
one with crease on cover
Technique: She utilized layered imagery and text to critique how women are represented in art and media
This specific edition is celebrated for capturing a "tectonic shift" in American photography—the moment when the medium moved definitively away from traditional "straight" documentation and toward experimental
Burns, Marsha. Postures. Photographs by Marsha Burns. Condition:Fine The Camera as an Eye:Text by David Featherstone. Untitled 28. Friends of Photography, 1982. Fine. Another copy, very good with minor wear on covers. Another copy, "Gallery Copy" written on flyleaf, minor wear, very good. Includes chronology regarding Burns' career. Portraits, including male and female nudes. 48 pages.