Komposition by Otto Freundlich Graphic Design and a palette drawn from

and a palette drawn from heather

Rosi Feist's pop-art sensibility reducing movement and team energy to their cleanest possible visual statement

Kandinsky believed colour and form could function like music

and in that quiet gesture Bea Müller distils something essential: connection

Komposition by Otto Freundlich Graphic Design and a palette drawn from'Komposition' distils Freundlich's mature abstract language into its essential elements: interlocking colour planes, no hierarchical centre, no depth illusion. The composition spreads laterally and evenly, refusing to privilege any single zone of the surface a democratic arrangement of form that reads as both rigorous and instinctive. The palette is characteristically bold, each colour chosen for its structural role rather than its descriptive