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π Tone and Purpose of the Volume
Dawn Mitchell Tress
Susan Butler
March 5 and 7
Photographs: 1900-1950. The Minneapolis Institute of Arts. Northlight No. 13. Aperture Magazine π Tone and Purpose ofArizona State University, 1979. Curated by Mary Virginia Swanson. Edited by Kermit Lee. Illustrated catalog for exhibition of photographs by famous photographers from the collection of the Minneapolis Institute of Arts. Biographies provided for each photographer. Seven full page illustrations for seven of the photographers. Photographers, some who were featured in Camera Work, the magazine of the Photo Secession, include Berenice Abbott; Paul Burty
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