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LaToya Ruby Frazier
Yayoi Kusama dreamed of becoming an artist
this project originates from an analysis of sculptor John Quincy Adams Ward’s The Freedman (1863)
multicultural background
Wes Anderson: The Archives beads LaToya Ruby FrazierAn archive is always a time machine, but the archives of Wes Anderson take us on a journey not just through time, but through layers of stories and the experiences of storytellingon paper and on film. This volume chronicles these stories with a deep dive into Anderson's personal archive, celebrating his 30 plus years in cinema. From the start of his career, he has maintained a rich library of notebooks, drawings, paintings, Polaroids, props, puppets,
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