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Beginning with “Come In
you might be tempted to wonder which has the claim to be the 'better' work of art
Evaluation madness and the constant urge to innovate push people back further and further into a virtual shell
what are the ways in which we can disentangle literary translation from its roots in imperial violence
Samia Henni: Deserts Are Not Empty Otto-Knapp Beginning with “Come InColumbia Books on Architecture and the City, 2022, softcover, 384 pages, 14 x 19 cm Colonial and imperial powers have often portrayed arid lands as empty spaces ready to be occupied, exploited, extracted, and polluted. Despite the undeniable presence of human and nonhuman lives and forces in desert territories, the regime of emptiness has inhabited, and is still inhabiting, many imaginaries. Deserts Are Not Empty challenges this colonial tendency,
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