Curating Digital Art: From Presenting and Collecting Digital Art to Networked Co-curation Print ideologies and technologies – nothing

ideologies and technologies – nothing is too big to fail

The publication What We Could Have Become explores the radical potentials of care and speculative fiction in the context of queer feminist collective filmmaking

Since January 2021 that includes all countries in Europe

and other projects for the page by Robert Filliou

Curating Digital Art: From Presenting and Collecting Digital Art to Networked Co-curation Print ideologies and technologies – nothingValiz, 2021, Softcover, 352 pages, 24 15 cm Contributions from Pita Arreola Burns, Evelyn Austin, LaTurbo Avedon, Paul Barsch, Livia Benedetti, Bob Bicknell Knight, Elliott Burns, Tom Clark, Marco De Mutiis, Constant Dullaart, Madja Edelstein Gomez, Amber van den Eeden, Rebecca Edwards, Rzsa Farkas, Marialaura Ghidini, Manique Hendricks, Tilman Hornig, Florian Kuhlmann, Kalle Mattsson, Anika Meier, Marie Meixnerov, Laura Mousavi, Katja Novitskova,